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It all started with wanting to paint a picture of a
Little Grey Fergie, possibly the most famous tractor of all, but where would I go to find
one. Not a pristine restored one that looked as if it had just come out of the dealer's
show room but one that really looked like a workhorse of the farmyard that was still in
daily use. Well there I was walking down the lane a few minutes from
home taking Gemma our rescue greyhound for her daily walk when one chugged past me and on
down towards the old cider orchards at the foot of Glastonbury Tor.
So I followed it round the bend and up through a yard with it's small sheds, barn,
workbench and cider house and into the orchard where the tractor was now parked under an
ancient apple tree, to shade the barrel of water in the trailer on the back from the heat
of the midday sun.
After a few minutes of introduction to the owner, not forgetting to mention that I once
used to work at Mr Greens farm at nearby Pennard he was only to happy to help. Marcus
Govier was his name, it was his orchard and his grandson Peter's tractor and yes I could
put it in one of my paintings.
I explained that rather than take pictures in heavy shade I would like to do it in dappled
shadow with shafts of sunshine coming through the leaves." Well," said Marcus
"do you want me to move her out a bit? Or shall we sit here and wait for the sun to
move round?"
Taking one look at the table and chairs under one of the trees and the barrel of cold
water with a flagon of cider cooling in I decided there really was no contest.
The resulting picture "Lazy Days" I hope captures that feeling of a restful
summers
day when time does not matter a hoot and the word stress has not even been invented.
But it was not just a picture of a dirty old grey tractor that I discovered in Marcus'
orchard and yard but also an amazing collection of fascinating subjects, everywhere I
looked I kept on seeing thing to paint. Friends said what do you mean, it's just some old
sheds, corrugated iron, lean to buildings, piles of old wood and bits of old iron, it is
almost a blot on the landscape.
To me though it is a fascinating source of inspiration. In the past I had painted old
country buildings, big old barns and farmhouses but Marcus' yard would mean painting a way
of life and a way of life that is now so threatened by red tape, by productivity and bank
managers that soon this little collection of old sheds that most people drive past without
giving it a second glance will not exist, it is not economically viable, it does not fit
in.
Now months latter I have had the privilege of following Marcus at work and at rest,
watching him repairing old barrels ready for the cider making, sitting cutting up potatoes
by another barrel, this time full of daffodils, as he prepares food for the calves. Feeding the
young stock in the barn before seven o'clock in the morning having got up at five to do
his and Peters bacon.
And to accompany the pictures of Marcus' life I have also been able to note down some
of his memories and his views on things past and present.
"Got a bit of stick in the Aga one morning to do the bacon when we heard all this
banging at the door. I says to Peter who's that then, we opened the door there's no one
there. Got on with the bacon and there's all this banging again, I says to Peter I reckon
that's the front door. That's not been used for years there's a poufee in the way. Well
we moved it opened the door and there's old whats is name with his big yellow helmet on
and his uniform; he says do you know your chimney's on fire Marcus? Bugger that I says I
haven't finished our bacon yet."
Then there is Marcus at rest, a well deserved rest I should think as he sits back in chair
beside the little wood burner in his shed to tell me of his first day at work when he had
to plough a field with a horse plough "I was the proudest boy in England at the end
of the day" he recalls, still with a little glow of pride years later. And as the
afternoon goes one by one his old friends drop in and settle down by the stove to remember
old times, to sort over the problems of the world outside and most important of all to
help Marcus dispense a bit more of his cider. A golden brew that has travelled all of ten
feet from the cider shed next door.

"Never had a holiday in my life", he said one day, "don't need to when I
got this place do I?"
Then only a few days later I enter the inner sanctum to hear him talking of the best
holiday he ever had. "What do you mean Marcus I thought you'd never had one?" Oh
yes I did, I had six days in Butleigh Hospital, coor that was lovely that was, it was when
they had a proper matron and had their own vegetable garden for the kitchen., I had roast
pork with crackling too, proper holiday that was."
Ever been to London I asked him one day "Yes twice to the motor show and that's twice
too many"
"Have you got one of they mobile phone Mr Cooper?" He once asked me and laughed.
"When I worked for old Bessie Bull if she wanted you back the farmhouse she used to
play a trumpet outside the back door she didn't need no mobile phone."
Only recently Marcus said to me. "Don't get me wrong I don't want to die but if I was
to die tonight, I've enjoyed every minute. Besides it can't be too bad I don't know anyone
who's come back." How many of us can say that I thought.
Footnote - Marcus has since told me that when I first entered his yard
and asked if I may paint his tractor he was a bit surprised. He knew it was a bit rusty
and needed a coat of paint but he never expected some strange dog walker to come and offer
to do it for him!
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